{"id":2282,"date":"2012-08-16T05:55:05","date_gmt":"2012-08-16T05:55:05","guid":{"rendered":"http:\/\/bookoxygen.com\/?p=2282"},"modified":"2012-08-17T05:58:54","modified_gmt":"2012-08-17T05:58:54","slug":"genie-and-paul-by-natasha-soobramanien-2","status":"publish","type":"post","link":"http:\/\/bookoxygen.com\/?p=2282","title":{"rendered":"Genie and Paul by Natasha Soobramanien"},"content":{"rendered":"<p><strong><a href=\"http:\/\/bookoxygen.com\/wp-content\/uploads\/2012\/08\/GENIE-AND-PAUL-COVER-WEB11.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-medium wp-image-2283\" title=\"GENIE-AND-PAUL-COVER-WEB[1]\" src=\"http:\/\/bookoxygen.com\/wp-content\/uploads\/2012\/08\/GENIE-AND-PAUL-COVER-WEB11-194x300.jpg\" alt=\"\" width=\"194\" height=\"300\" srcset=\"http:\/\/bookoxygen.com\/wp-content\/uploads\/2012\/08\/GENIE-AND-PAUL-COVER-WEB11-194x300.jpg 194w, http:\/\/bookoxygen.com\/wp-content\/uploads\/2012\/08\/GENIE-AND-PAUL-COVER-WEB11-664x1024.jpg 664w, http:\/\/bookoxygen.com\/wp-content\/uploads\/2012\/08\/GENIE-AND-PAUL-COVER-WEB11.jpg 1517w\" sizes=\"auto, (max-width: 194px) 100vw, 194px\" \/><\/a>Published by Myriad Editions 16 August 2012<\/strong><\/p>\n<p><strong>\u00a0224pp, paperback, \u00a38.99\u00a0<\/strong><\/p>\n<p><strong>Reviewed by N.J. Cooper<\/strong><\/p>\n<p>Can you teach creative writing?\u00a0 The question is often asked.\u00a0Natasha Soobramanien&#8217;s first novel provides one answer.\u00a0A graduate of the University of East Anglia&#8217;s Creative Writing course, she has explored the pains and longings of an intense sibling relationship through a reworking of the eighteenth-century classic of doomed love, <em>Paul et Virginie<\/em>.<\/p>\n<p>Just as the original offers a utopian vision of equality and decency on Mauritius, in opposition to the over-sophisticated, class-ridden society in metropolitan France, so Soobramanien&#8217;s version sets up the grimy nastiness of 1980s London against Paul&#8217;s memories of his Mauritian childhood.\u00a0He and Genie are half-siblings, brought to England by their mother after the ending of her relationship with Genie&#8217;s father. Genie adores her elder half-brother; he both loves and resents her.\u00a0 When he lets her down his guilt and resentment drive him back to the imaginary paradise of his childhood.<\/p>\n<p>The narrative is fractured, moving backwards and forwards in time and from one point of view to another.\u00a0Speech is all reported, and without quotation marks, which increases the distancing effect of the multiple viewpoints and backstories.\u00a0In Paul&#8217;s section, for example, we are suddenly given &#8216;Grandmere&#8217;s Story&#8217;, beginning, &#8216;The first time I ever met my grandson was at Heathrow Airport.\u00a0 He was ten years old.\u00a0 I had gone with my husband to meet them all, Paul and my daughter and my little granddaughter Genie.&#8217;\u00a0 These sections all add colour to the background and facts to make sense of Paul&#8217;s desertion of Genie and subsequent flight, but they also interrupt the necessary suspension of disbelief.\u00a0<\/p>\n<p>Some of the writing is excellent, and Soobramanien reproduces textures particularly well.\u00a0\u00a0The episode when Genie takes drugs in a nightclub and wakes up in hospital, having almost died, is highly effective.\u00a0\u00a0On the evidence of <em>Paul and Genie,<\/em> creative writing can definitely be taught, but it is hard to escape the conviction that, as a novel, it would have been more affecting with a little less artifice.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Reviewed by N.J. Cooper<\/p>\n<p>Can you teach creative writing?  The question is often asked.  Natasha Soobramanien&#8217;s first novel provides one answer. A graduate of the Universityof East Anglia&#8217;s Creative Writing course, she has explored the pains and longings of an intense sibling relationship through a reworking of the eighteenth-century classic of doomed love,<em> Paul et Virginie<\/em>[&#8230;] in Reviews<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[18,17],"tags":[],"class_list":["post-2282","post","type-post","status-publish","format-standard","hentry","category-new-fiction-and-non-fiction","category-reviews"],"_links":{"self":[{"href":"http:\/\/bookoxygen.com\/index.php?rest_route=\/wp\/v2\/posts\/2282","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/bookoxygen.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/bookoxygen.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/bookoxygen.com\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"http:\/\/bookoxygen.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=2282"}],"version-history":[{"count":6,"href":"http:\/\/bookoxygen.com\/index.php?rest_route=\/wp\/v2\/posts\/2282\/revisions"}],"predecessor-version":[{"id":2287,"href":"http:\/\/bookoxygen.com\/index.php?rest_route=\/wp\/v2\/posts\/2282\/revisions\/2287"}],"wp:attachment":[{"href":"http:\/\/bookoxygen.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=2282"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/bookoxygen.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=2282"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/bookoxygen.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=2282"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}